CHRISTIAN BONNEFOI
LIZ DESCHENES
ROE ETHRIDGE
JUTTA KOETHER
DANIEL LEFCOURT
VALENTINA LIERNUR
JASON LOEBS
SCOTT LYALL
NICK MAUSS
CHARLES MAYTON
JOHN MILLER
OLIVIER MOSSET
SEAN PAUL
JULIA PHILLIPS
EILEEN QUINLAN
BLAKE RAYNE
CLEMENT RODZIELSKI
CHRISTOPH RUCKHÄBERLE
NORA SCHULTZ
AMY SILLMAN
REENA SPAULINGS
JOANNE TATHAM & TOM O’SULLIVAN
CHEYNEY THOMPSON

LIZ DESCHENES

Born Boston, MA, 1966
Lives and works in New York

EDUCATION

1988 Rhode Island School of Design B.F.A. Photography, Providence

PUBLIC COLLECTIONS

Le Centre Pompidou, Paris

MoMA – The Museum of Modern Art, New York 

The Walker Art Center, Minneapolis, Minnesota

The Art Institute of Chicago

Hirshhorn Museum and Sculpture Garden, Washington D.C

The Metropolitan Museum of Art, New York

Corcoran Museum of Art, Washington D.C.

Whitney Museum of American Art, New York

CCS Bard Hessel Museum, Annandale-on-Hudson

San Francisco Museum of Modern Art, San Francisco

Solomon R. Guggenheim Museum, New York

 

SOLO EXHIBITIONS 

2018 «Liz Deschenes», Campoli Presti, London

2016 «Liz Deschenes», Campoli Presti, Paris

«Liz Deschenes», curated by Eva Respini, The Institute of Contemporary Art/ Boston

2015 «Liz Deschenes: Gallery 4.1.1», MASS MoCA, North Adams, MA

2014 «Liz Deschenes: Gallery 7», The Walker Art Center, Minneapolis

«Stereographs #1 – 4 (Rise / Fall)», Miguel Abreu, New York

2013 «Bracket (Paris)», Campoli Presti, Paris

«Bracket (London)», Campoli Presti, London

2012 «Secession» Vienna, Austria

2010 «Shift / Rise», Sutton Lane (Campoli Presti), Brussels

«Tilt / Swing (version 2)», Art|41|Basel – Art Unlimited

2009 «Right / Left», Sutton Lane (Campoli Presti), Paris

«Chromatic Aberration (Red Screen, Green Screen, Blue Screen a series of Photographs from 2001 to 2008)», Sutton Lane (Campoli Presti), London

«Tilt / Swing», Miguel Abreu Gallery, New York

2008 Presentation of new works, Sutton Lane (Campoli Presti), Paris

2007 «Photographs», Sutton Lane (Campoli Presti), London

«Registration», Miguel Abreu, New York

2001 «Blue Screen Process», Andrew Kreps Gallery, NYC

1999 «Below Sea Level», Andrew Kreps Gallery, NYC

1997 «Beppu», Bronwyn Keenan Gallery, NYC

GROUP EXHIBITIONS

2018  « Into the Light : Photography and Abstract Art», Tate Modern

2017 «Plages», Campoli Presti, London

«Looking Back / The 11th White Columns Annual – Selected by Anne Doran», White Columns, New York

«Liz Deschenes and Sol Lewitt», Fraenkel Gallery, San Francisco

2016 «Liz Deschenes / Sol LeWitt», Miguel Abreu Gallery, New York

«Sol LeWitt and Liz Deschenes», Paula Cooper Gallery, New York

«Group Exhibition», Campoli Presti, Paris

«Visibility», Campoli Presti, London

«Emanations: The Art of the Cameraless Photograph», curated by Geoff Batchen, Govett-Brewster Art  Gallery, New Zealand

«Poésie Balistique», Fondation d’Entreprise, Hermès, Brussels

«La Boîte de Pandore: une autre histoire de la photographie par Jan Dibbets», Musée d’Art Moderne de la Ville de Paris

«From Minimalism into Algorithm», The Kitchen, New York

«In Place Of», curated by Leah Pires, Miguel Abreu Gallery, New York

2015 «Collected by Thea Westreich Wagner and Ethan Wagner», Whitney Museum of American Art, New York

«New Skin», curated by Massimiliano Gioni, Aïshti Foundation, Beirut, Lebanon

«A Kind of Graphic Unconsciou, Susan Hobbs, Toronto, Canada

«The Camera’s Blind Spot II», Extra City Kunsthal, Antwerp

«New Acquisitions», Whitworth Art Gallery, Manchester

«Bricolage: La souris et le perroquet», Villa Arson, Nice

2014 Carl Andre, Liz Deschenes, Richard Prince, R. H. Quaytman, Galerie Buchholz, Cologne Liz Deschenes / Florian Pumhösl, Galerie Buchholz, Cologne

«Sites of Reason: A Selection of Recent Acquisitions», MoMA, NEW YORK

«Abandon the parents», National Gallery of Denmark, Copenhagen

«Backs Grounds: Impressions Photographiques (2)», Andrea Rosen Gallery, New York

«occupy painting», Autocenter, Berlin

«What Is a Photograph?», organized by Carol Squiers, International Center of Photography, New York

2013 «L’épreuve de l’abstraction», FRAC Poitou-Charentes, Médiathèque de Vouillé, France

«CROSS OVER», Photography of Science + Science of Photography Fotomuseum Winterthur, Switzerland

«XL: 19 New Acquisitions in Photography», Museum of Modern Art, New York

«Alchemical», Steven Kasher Gallery, New York

«Lens Drawings», curated by Jens Hoffmann, Marian Goodman Gallery, Paris

«Ambient», Tanya Bonakdar Gallery, New York

«The Black Mirror», curated by James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, CA

«The Unphotographable», Fraenkel Gallery, San Francisco

2012 «For the Martian Chronicles», L&M Arts,Venice

«Liz Deschenes and Charlotte Posenenske», Melas Papadopoulos Gallery, Athens

«Whitney Biennial 2012», Whitney Museum of American Art, New York

«Parcours», with Florian Pumhösl, The Art Institute of Chicago, IL

Carl Stüwe in the context of Contemporary Photography- with Liz Deschenes, Jan Paul Evers and Jochen Lempert, Bielefeld Kunstverein, Bielefeld

«Notations: The Cage Effect Today», Hunter College / Times Square Gallery, New York

«Carl Strüwe in the context of Contemporary Photography», Bielefelder Kunstverein, Germany

«accrochage», Miguel Abreu Gallery, New York

2011 «Sutton Lane visits Klosterfelde: Liz Deschenes and Scott Lyall», Klosterfelde, Berlin

«After Images», Jewish Museum of Belgium, Brussels

«The Anxiety of Photography», Aspen Art Museum

«New York to London and back-The Medium of Contingency», Thomas Dane Gallery, London

«Systemsanalyse», Langen Foundation, Germany2010

«Systems Analysis», westlondonprojects, London

«How soon is now», selected by Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno and Beatrix Ruf, Garage, Moscow

«Free», curated by Lauren Cornell, New Museum of Contemporary Art, New York

«A Shot in the Dark», Walker Art Center, Minneapolis 

«Les rencontres d’Arles 2010 / Edition 41», Arles, France

«False/Divide», Miguel Abreu, New York

«Picture Industry (Goodbye To All That)», organized by Walead Beshty, Regen Projects, Los Angeles

«ITEM», Mitchell Innis & Nash, New York

«De Rigueur», Richard Telles Fine Art, Los Angeles

«Photogenic», Blanket Contemporary Art, Vancouver, British Columbia

«Blind Mirror», Galleria Raucci/Santamaria, Naples

2009 «Infinitesimal Eternity», Yale University School of Art, New Have

«SEQUENCE 2: One or two works, one week» (with Olivier Mosset, Hans Bellmer and R.H Quaytman), Miguel Abreu Gallery, New York

«Colour Chart: Reinventing Colour, 1950 to Today», Tate Liverpool

Art|40|Basel, Art Premiere with R. H. Quaytman

«Collateral», Group exhibition with Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Nora Schultz, Cheyney Thompson, Le Confort Moderne – Centre pour l’art contemporain, Poitiers

«Der Schnitt durch die Oberflache legt neue Oberflachen frei»(The Cut Through the Surfaces Reveals New Surfaces), curated by Max Mayer and Hans-Jurgen Hafner, Temporary Gallery, Cologne

«FAX», The Drawing Center, New York

«Modern Wing Inaugural Installation of Contemporary Photograph», curated by Matthew Witkovski, The Art Institute of Chicago

«La Vie mode d’emploi: Carl Andre, Martin Barre, Daniel Buren, Liz Deschenes, Sherrie Levine, Cheyney Thompson, Franz West», curated by David Lewis, Sutton Lane (Campoli Presti), Paris

«Constructivismes!», curated by Olivier Renaud-Clement, Galerie Almine Rech, Brussels

Lora Reynolds Gallery, Austin

«To Be Determined», Andrew Kreps Gallery, New York

«Practice vs Object», organized by Margaret Liu Clinton, Miguel Abreu Gallery, New York

«Twilight», Harris Lieberman, New York

«Photography in the Abstract», organised by Maureen Mahoney, Lora Reynolds Gallery, Texas2008

«Le Retour: Mark Amm, Walead Beshty, Liz Deschenes, Nathan Hylden», Nice & Fit, Berlin

«Photography on Photography: Reflections on the Medium since 1960», The Metropolitan Museum of Art, New York

«Color Chart», Museum of Modern Art, New York

«Standard Sizes», curated by Joao Ribas, Andrew Kreps Gallery, New York

«The Man Whose Shoes Squeaked», Richard Telles Gallery, Los Angeles

2007 «Regroup Show», Miguel Abreu Gallery, New York

«24 November – 22 December», Sutton Lane (Campoli Presti)- Paris

«Stuff: International Contemporary Art from the Collection of Burt Aaron», Museum of Contemporary Art Detroit, Detroit

«For the People of Paris», Sutton Lane c/o Ghislaine Hussenot, Paris

«Strange Magic», Luhring Augustine, New York

«Form As Memory», Miguel Abreu Gallery, New York, NY

2006 «Bunch Alliance and Dissolve», The Contemporary Art Center, Cincinnati

Vija Celmins,Liz Deschenes, Zoe Leonard, Tracy Williams, Ltd. NY

2005 «The Photograph in Question», Von Lintel Gallery, NY

2004 Liz Deschenes/ Siobhan Liddell, Gesellschaft fur Aktuelle Kunst, Bremen 

2003 «Rethinking Photography V», curated by Ruth Horak, The Forum Stadtpark, Graz 

«In Full View», Andrea Rosen Gallery, New York

«Afternoon Delight», curated by Max Henry, Caren Golden Fine Art, New York

«Back Grounds», curated by Olivier Renaud-Clement, Andrew Kreps Gallery, New York

2002 «Back Grounds», curated by Olivier Renaud-Clement, Galerie Nelson, Paris

«Modern Photographs from the Collection», Metropolitan Museum of Art, New York

«Overnight to many Cities», Photographer’s Gallery, London

«State of the Gallery», Andrew Kreps Gallery, New York

2001 Salon Style, Plus Ultra, Brooklyn New York

«[Some] Photography [Abstract]», Larry Becker Gallery, Philadelphia, Pennsylvania

«Overnight to Many Cities», curated by Collier Schorr, 303 Gallery, New York

«In the landscape», Silverstein Gallery, New York

«Rocks and Trees», curated by David Armstrong, Photographic Resource Center, Boston

«Serial Number», Gale Gates, curated by Lauren Ross, Brooklyn, New York

Hydro, Marcel Sitcoske Gallery, curated by Erin Parrish, San Francisco, California

«Sea Change: The Seascape in Contemporary Photography», Museum of Photographic Arts, San Diego, California, and International Center of Photography, New York

The Cathedral Project: Liz Deschenes, Kevin Larman, Donald Moffett, curated by Katherine Gass, The Cathedral Church of St. John the Divine, New York

1998 «Sea Change: The Seascape in Contemporary Photography», curated by Trudy Wilner Stack (catalogue), Center for Creative Photography Museum, University of Arizona, Tucson, Arizona

Tenri Bienale 1998 (catalogue), Doyusha Gallery, Tokyo; Osaka Municipal Museum of Art, Osaka; Hokutopia, Tokyo; Niigata Prefectural Civic Centre, Niigata; Fukuoka Prefectural Museum of Art, Fukuoka; and Aichi Prefectural Museum of Art, Aichi, Japan

1996 «Water», James Graham & sons, New York

Liz Deschenes, Drew Dominick, Susan Silas, Jose Freire Gallery, New York

1991 «Outrageous Desire», Rutgers University, Mason Gross School of the Arts, DAB Galleries, New Brunswick, New Jersey

 

GRANTS AND AWARDS

2014 Rappaport Prize, deCordova Scuplture Park and Museum

2004 Anonymous was a Woman Foundation

2000 Aaron Siskind Foundation Grant

 

CURATION

2015 «Artist’s Choice: An Expanded Filed of Photography», MASS MoCA, North Adams

2000 «Photography About Photography», Andrew Kreps Gallery, New York

 

TEACHING

2006 – present Bennington College, Faculty, Bennington

2004 – present Visiting Artist, Columbia University, New York

2008 – 2010 Yale University, Visiting Artist, MFA Painting and Printmaking Department, New Haven

2003 – 2010 Adjunct Professor, School of Visual Arts, MFA Photography and Related Media Department, New York

2006 – 2007 Visiting Professor, Bard College, Annadale-on-Hudson, New York

2006 Milton Avery School Of The Arts, Bard College

2000 – 2006 Instructor, International Center of Photography, New York

 

LECTURES/VISITING ARTIST

2015 Lecture on «Sarah Charlesworth: Doubleworld», New Museum, New York

2014 Symposium «Reconsidering the object: Researching interwar Photography in the Digital Age», Museum of Modern Art, New York

Rappaport Prize Lecture, Massachusetts Colege of Art and Design, Boston

«Photography is ____________», Art Institute of Chicago, Chicago

Simmons, Sara VanDerBeek, Liz Deschenes, and Kate Linker, Art Institute of Chicago

2012 Artist talk with Florian Pumhösl, Secession, Vienna, Austria

«Abstraction in Photography», MoMA’s Forum on Contemporary Photography

Artists in Conversation: Parcours, Art Institute of Chicago

Art Talks Series, The Art Institute of Boston at Lesley University, Boston

2009 Chicago Humanities Festival & Art Institute of Chicago: Photography Discussion with Gaylen Gerber and Matt Witkovsky, Chicago

2007 College Art Association, NYC, Photography, Panel discussion (Stephen Pinson, Andres Zervigon, Douglas Crimp, Natasha Egan, Douglas Nicked, and Scott Rothkopf)

UCLA, Master of Fine Arts, artist lecture and critiques

2006 «Photography as Object», Panel discussion at Andrew Kreps Gallery, NY (Matt Keegan, Arthur Ou, Shannon Ebner, James Welling, and Kelly Walker)

MICA, Lecture, and visiting artist critiques

Ohio University, Lecture, and visiting artist critiques

Bennington College, Lecture, and visiting artist critiques

2004 Columbia University lecture, and visiting artist

The International Center of Photography visiting artist lecture

2002 International Studio Program, NYC

City College, NYC

New York University, NYC

School of Visual Arts, NYC

2001 International Center of Photography, NYC

2000 International Center of Photography, NYC

Columbia University, NYC, Visiting Artist Lecture, Photography Department

1998 Center for Creative Photography, University of Arizona, Panel Discussion “Sea Change”

 

BIBLIOGRAPHY

Periodicals

2016 Sanchez, Gabriel H. “Liz Deschenes”, Artforum, 25 July

Baumgardner, Julie « Photo Finish: Liz Deschenes’ Conceptual Images Take Over The ICA In Boston », Wallpaper, 1 July

Di Benedetto, Gabrielle « ICA Debuts New Exhibit by Nalini Malani and Liz Deschenes, Boston Magazine, 30 June

2015 Williams, Jonathan Bruce. “Liz Deschenes”, The third Rail, Issue 5

Hatt, Etienne. “Paradoxical Abstraction”, Art Press, March

“Liz Deschenes at the Walker Art Center”, Aperture, January 21

2014 Ballard, Thea. “How to light a Show: Liz Deschenes Turns the Gallery Into a Camera”, Modern Painters, December Dash, N. “N. Dash on Liz Deschenes”, Art in America, August

Johnson, Ken. “Words That Do More Than Signify,” Art in Review, The New York Times, July 3

“Liz Deschenes,” Goings on About Town, The New Yorker, June 9-16

Schwendener, Martha “Liz Deschenes: Stereographs #1-4 (Rise/Fall),” Art in Review, The New York Times, May 16

“Liz Deschenes, ‘Stereographs #1-4’,” Time Out New York, May 15-21

Marcoci, Roxana. “Radical Looking: In the Presence of the Image, In the Absence of the Spectacle,” Mousse, No. 43

Pollack, Maika. “’What is a Photograph?’ at the International Centerof Photography,”GalleristNY.com, February 12

Ollman, Leah. “In a digital world, New York show wonders ‘What Is a Photograph’,”Los Angeles Times, February 22

Rexer, Lyle. “A New Exhibition Asks, What Is a Photograph, Anyway?,” LightBox.Time.com, January 30

Charlesworth, JJ. “Liz Deschenes Bracket London”, ArtReview, January & February

Applin, Jo. “Liz Deschenes Campoli Presti” Review, Artforum, January

2013 Mary, Rinebold, « Best of 2013 », Artforum, December

Epstein, Nicolas. Photomonitor, review, December

Allison, Genevieve. “Critics’ Picks: ‘Ambient’”, Tanya Bonakdar Gallery, Artforum.com, July

Císâr, Karel. “Introduction: Photography After Recession”, Fotograf, Issue 21

Beshty, Walead.Ed., Blind Spot, Issue 46

O’Neill-Butler, Laura. “Seceding: A Conversation with Liz Deschenes”, The Paris Review, January 22

2012 Kasten, Barbara. “Best of 2012, The Artists’ Artist: Parcours,” Artforum, December

Bailey, Stephanie.“Critics’ Picks: Charlotte Posenenske and Liz Deschenes,” Artforum, November

Liz, Deschenes. “Media Study”, Artforum, September

Gallun, Lucy. “Surface and Light: Liz Deschenes”, Inside/Out: a MoMA / PS1 Blog, July 12

Tutter, Adele. “Finding Art in Empty Space: Responses to John Cage”, artcritical, April 19

Battista, Kathy. “Whitney Biennial,” Art Monthly, April

Baker, Kenneth. “The Whitney: 2012 Biennial,” San Francisco Chronicle, April 1

Peterson, Kathleen. “Liz Deschenes,” BOMB, No. 119 Spring

Sholis, Brian. “In the Studio: Liz Deschenes,” Art in America, March

Viveros-Faune, Christian, “The Whitney Biennial 2012 – Caution: Dead End,” The Village Voice, March 7

“Goings on About Town: Art,” The New Yorker, March 5 – 11

McGarry, Kevin. “Out There, Live From the Whitney Biennial,” T Magazine Blog, March 2

Esplund, Lance. “Killer, Security Guard Enliven Whitney Biennial: Lance Esplund,” Bloomberg, March 1

Pollack, Maika. “Be Here Now: Eccentric Historicism Emerges at the 2012 Whitney Biennial,” Gallerist NY, Feb. 28 2011

2011 Whiley, Chris. “Depth of Focus,” Frieze, November

Kröner, Magdalena. “Form, Fragment, Formation. Aktuelle Tendenzen der Abstrakten Fotografie,”Kunstforum International, Jan/Feb

2010 Smith, Roberta. “The Varieties of Abstract Experience,” The New York Times, August 6

Witkovsky, Matthew. “Another History,” Artforum, March

Greenberger Rafferty, Sara. “Chemical Dependence Liz Deschenes,” Fantom, Winter 2010

Witkovski, Matthew,“Another History,”Artforum, March

2009 Bedford, Christopher,“Depth of Field,”Frieze, SeptemberLaunay, Aude,“Liz Deschenes, Rebecca Quaytman, Meredyth Sparks,”Zero Deux, Issue 52, Winter 2009/2010

Rosenberg, Karen,“Liz Deschenes, Tilt/Swing,”The New York Times, May 29

Doran, Anne,“Liz Deschenes, Tilt/Swing,”Time Out New York, Issue 712, May 21-27

2008 Walleston, Aimee,“Sight Specificity,”Tokion, September

Gardner, James,“Message in the Medium,”The New York Sun, April 17

Ross, Lauren,“Review,”Art in America, January

2007 “Strange Magic,” (Review) The New Yorker, July 23

Faconti, Dana, (ed), Blind Spot, Issue 36, Fall/Winter

Rosenberg, Karen, “An Afternoon in Chelsea,” New York Magazine, July 23

Smith, Roberta, “Strange Magic,” The New York Times, July

Burton, Joanna, “Liz Deschenes,” Artforum, SummerSholis, Brian, “Liz Deschenes,” Artforum.com, May

Smith, Roberta, “Liz Deschenes, Registration,” The New York Times, May

O’Neill Butler, Lauren, “Liz Deschenes,” Time Out, New York, May

Orden, Abraham, “The Minute,” Artnet, May“Liz Deschenes”, The New Yorker, May

McAdams, Shane, “Liz Deschenes, Registration,” The Brooklyn Rail, May

2006 “Vija Celmins, Liz Deschenes, Zoe Leonard,” The New Yorker, July

2005 “The Photograph in Question,” The New Yorker, July

2004 Robillard-Krivda, Eva, “Back Grounds. Impressions photographiques,» paris-art.com, March

2003 Wilson, Michael. “New York Critics Pick; Back Grounds: Impressions Photographiques,” Artforum, March

2002 “Liz Deschenes, Page 382,” Charley

2001 Williams, Gregory. “Flux Interior,” Interior Design, August

Smith, Roberta. “Quick as a Shutter, Group Shows Shatter Conventional Wisdom,” New York Times, July 6

Sundell, Margaret. “Liz Deschenes,” Artforum, May

Valdez, Sarah.“Serial Number,” Time Out New York, February 8 – 15

2000 Aletti, Vince, “Photography About Photography,” The Village Voice, March 7

Henry, Max. artnet.com, February

Paul Myoda, Flash Art, Nov/Dec, Issue No. 209 .

Arning, Bill, Time Out New York, August 5-12, Issue No. 202.1999

Aletti, Vince, The Village Voice, July 20

Cotter, Holland, The New York Times, July 16

Neal, Alex, Time Out New York, June 10-17, Issue No. 193.1998

Brennan, Michael, Artnet, February 13

Zing Magazine, “Bath Houses,” Volume 2, Winter(photography project).1997

Glueck, Grace, The New York Times, November 7

 

Catalogues

2016 Respini, Eva. Liz Deschenes, The Institute of Contemporary Art/ Boston, DelMonico Books, Prestel Munich/ London/New York

2015 Michaels, Walter Benn. The Beauty of a Social Problem. The University of Chicago Press, Chicago

2013 Muller, Christin. Cross Over. Photography of Science + Science of Photography. Spector, Leipzig

Spörr, Bettina, ed. Liz Deschenes, Secession, Vienna

2012 Griffin, Tim, ed. “How Soon Is Now?“, Luma Foundation

2011 “After Images”, Musée Juif de Belgique, Brussels

Mackay, Robin, ed. “The Medium of Contingency”, published by Urbanomic and Ridinghouse.

“Systems Analysis”, Langen Foundation, Neuss

“The Anxiety of Photography”, Aspen Art Museum

2010 Chevalier, Yann. “Collatéral”, Le Confort Moderne

2009 Cotton, Charlotte. “The Photograph as Contemporary Art”, Thames & Hudson, London

Temkin, Ann. “Colour Chart: Reinventing Colour, 1950 to Today ”, Tate Liverpool, The Museum of Modern Art, New York

2007 “For the People of Paris”, Sutton Lane – Paris

2005 Jaeger, Gottried, “Concrete Photography”, Bielefeld, Germany

2003 Horak, Ruth. “Rethinking Photography l+11”, The Forum Stadtpark, Graz, Austria

2002 Hostetler, Sue. Oceans, Rizzoli International Publications, Inc., New York

Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnick, “Charley O1”, Les Presses Du Réel

Schorr, Collier. “Overnight to Many Cities: Tourism and Travel at Home and Away.”

«Great 41», The Photographers Gallery, London

1998 Stack, Trudy Wilner, Sea Change: The Seascape in Contemporary Photography, Center for Creative Photography, University of Arizona, Tucson, AZ

1991 Salo, Marcia, Outrageous Desire, Rutgers University, Mason Gross School of the Arts DAB Galleries, New Brunswick, New Jersey

Group exhibition celebrating Thea Westreich and Ethan Wagners donation to the Whitney and Pompidou

09 Jun, 2016-15 Jul, 2016

Campoli Presti, Paris

Plages

16 Feb, 2017-18 Mar, 2017

Campoli Presti, London

FOR THE PEOPLE OF PARIS

13 Jan, 2007-10 Feb, 2007

Sutton Lane

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13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

PRESS RELEASE / COMMUNIQUE DE PRESSE
For the People of Paris
13 January – 10 February 2007
Sutton Lane, London

press release scan copy8858848353258774769

Enregistrer

Plages

01 Feb, 2017-03 Mar, 2017

Campoli Presti, Paris

Solo exhibition

19 Oct, 2016-13 Jan, 2017

Campoli Presti, Paris

Visibility curated by John Miller

31 May, 2016-16 Jul, 2016

Visibility curated by John Miller